#and yes . i know i've made my own backstories for them . but the idea is that . in the base game of deltarune ->

[transsweet]

every time someone says scc are worthless characters in deltarune i feel my soul wither away more and more

[bambifornia]

huuUOOoLRgGghh fiinnne I can't stay away from you all

i bring more autobot!swindle. plus my attempt at writing his backstory

disclaimer : most of the stuff below isn't canon i just wrote this for fun. if u guys wanna make ur own swindle backstories i invite yall to do so :D we will make our own swindle content

swindle came online during cybertron's early years of the age of expansion. the autobots (with their goal to expand cybertron's empire) engineered a set of bots who would serve cybertron as its intergalactic merchants, programmed to be ambitious bots who sought profit. they also came with bigger processors (for storing transactions and whatnot) and versatile frames (so they could withstand organic climates)

shortly after coming online, swindle was assigned a teacher (another merchant) who'd pass down the knowledge of the trade. swindle did his best to keep up with his lessons

as a student, swindle was determined and clever. as a bot, though...eughh...

- he had less of a filter, and didn't know how to keep a poker face

- his little new England accent used to be a lot thicker (think earthspark swindle)

- very friendly, had a lot of amicas back in the day (he was definitely the "I know a bot" guy). it was a struggle for him to keep quiet

- loved hands on activities, hated sitting still

- kept a journal detailing his intergalactic trips. tried to doodle any organics he found interesting

- LOVED shiny stuff. he was like a crow lmao

- his sharp glossa would sometimes get his aft beat

- despite being a chatterbox, he wasn't as suave back then. he'd often get himself in awkward situations, which he'd try to talk himself out of the embarrassment but he'd end up digging a deeper hole for himself

- petty king. also kinda nosy and had a thing for gossip

- loved pranking, and teased the bots he liked

once he was ready, swindle was given a ship and assigned a trading post (as a starting point). from that point, swindle was a rootin tootin merchant and nothing bad ever happened to him again :D...

...

until the quintessa skirmishes

the age of expansion ended with border disputes between cybertron and quintessa. multiple skirmishes sproutted along the border, and while swindle didn't fight in them, he was certainly caught in the crossfire. swindle ended up with a broken ship, a looted inventory, and a bungled up frame. he had to return to cybertron for repairs

back on cybertron, swindle finds a planet wildly different from the one he knows. tensions between autobots and decepticons are rising, and the banks aren't holding up that great. swindle finds himself in a tight spot (financially speaking) since he still has to deal with his losses from quintessa. unable to go back to his actual merchant job, swindle resorts to taking odd jobs to keep himself afloat (yes, even stealing)

when the war breaks out, swindle gets drafted into the front lines (a decision that still baffles him to this day). since he's not much of a fighter, the autobots have swindle work as a spy, ordering him to smuggle weapons out of decepticon servos...

in future hindsight, that was a poor decision

---

wrapping it up here because i don't want this post to get too long LMAO but I still have more ideas for him if yall are interested. just know that this is not the end of swindle lore

ALSO I finally came up with autobot!swindle designations :D I've narrowed it down to 3 and I need help deciding. it's either between

quickdime - cuz. you know. he's always looking to make a quick buck

treasury - his subspace acts like a treasury if you kinda think about it

fortune - idk it sounds cute. besides fortune tends to "favor the bold and clever"

if u made it this far then congrats. thank u for listening to me yap. have a bonus doodle

[vanmarkus]

Do you have any idea where the 'oliver hates lou' thing came from? Cause all I've seen is them praising each other and oliver saying how fun and goofy lou is. The only 'reason' I've seen from big blogs is that oliver doesn't follow him but he only follows the main cast now, not even anirudh or john who he's friends with so ? I doubt that means he hates him?

no idea who said it first, but as most vile things, it came from twitter.

people are grasping for straws because they aren't happy with the bucktommy storyline. Lou came in and did his job and said yes to a storyline that gave us bi Buck and these people are trying to bully him on twitter, trying to get a gotcha out of him, the cast and other fans on the regular.

the man cannot move an inch without them being up his ass about it, which, as I said before has me a little concerned for various reasons, some of them being Lou leaving the show prematurely due to the behaviour, the fandom en masse getting a bad reputation similar to other large toxic fandoms in the past (spn, stranger things, voltron, etc.) and just in general it grinds my gears that people can't fucking separate the actor from the character.

hate Tommy all you want, make up reasons, ignore his backstory and growth all you want, but Lou is a real human being who we don't know.

for what we see from him and what he lets us see is nice, but even if he's somehow this evil, terrible person... we just don't know. we're not working with him, we aren't his friends or family so it's just completely deranged to think that any of us can make an accurate analysis of his behaviour.

the cast and Tim only ever said that he's goofy, he's sweet, he's kind and great to work with — which, believe them or not, but it is what was said. he loves the character, Oliver loves the storyline and just because they barely know each other, it doesn't mean they hate each other.

and even if they did — it wouldn't matter. the actors' relationship doesn't affect the show as long as everyone is being professional and I'd be surprised if they weren't.

all this to say; this whole thing is made up and normal people have no reason to believe it and also should not have interest in if the cast likes Lou or not; but for all intents and purposes, by the cast's own admission, they like him.

[bozepomagaj]

ATINY/MOA/CARATS vs Made in Abyss was the last thing I expected and its hilarious

feel like I need to say something since twitter absolutely loves spreading misinfo and just accusing people of shit, how have you people not LEARNED your lesson yet? Since when is twitter such a trusted source, especially gossip accounts?

And before you braindead stans start calling me a d!ckrider, I promise you I do not care about these men cuz I've got better things to focus on and I'm making this because people are overreacting and it's getting annoying. It's so obvious 90% of you haven't watched the anime (and thats completely fine, I get you) and then ended up listening to someone who made stuff up and overexaggerated. I'm not here to defend the author because I hate him as much as you do and can absolutely recognize the dude is into some weird shit but saying people are ONLY interested in this series because of r@pe and p€dophilia is INSANE. So let me answer some questions as a Made an Abyss reader (not calling myself a fan because you'll catch me DEAD before you see me buying any merch or manga despite my love for the series), kpop fan second.

Does Made In Abyss contain p3d0ph1l1c themes, gore etc.?

There absolutely is because the author is a creep (refering to the nsfw however, most of the times it's very easily skippable. As someone who hates l0l1con cuz it creeps me out, I can tell you that I really didn't have a hard time skipping said scenes even in the manga which is far more explicit than the anime (Prushka asking about Bond's 'stick', Faputa looking into Regs pants, Vueko's weird comments) and sometimes, they're even added as extras (0.5 chapters) which certain sites that contain scans don't even include. I didn't even know about the existence about a few of these chapters BECAUSE they don't include them.

The OVA is a nightmare to watch and was not only unfunny but creepy as fuck especially when they try to boil down such an amazing character like Ozen into 'I like seeing little kids in pain'. Now I have no idea if this was made independently but I don't remember the author making any spin-offs that they could base this on so I can't tell you who wrote it but even then I doubt that the author minded it since the man himself had to include that Faputas behind smells like the 'Sun' so again, not here to defend him cuz he most definitely is a weirdo, no doubt about it.

Is Made in Abyss torture p*rn?

If MiA is torture p*rn then AoT is military propaganda and supports child labor, TPN is also torture p*rn, JJK promotes violence, Berserk excuses r*pe and Evangelion is also p*do bait. See how stupid that sounds? Just because an anime INCLUDES something, does not mean it necessarily supports it. Yes, r*pe is mentioned but it's not even SHOWN, and it's a cruical part of a characters backstory. The torture that happens, happens only once if we exclude Riko's 'experiment' at the very beginning of the manga. And Mitty's transformation can't even be classified as torture cuz it's a.... transformation. Prushka's death is very censored so its not like you can jack off to that anyways. Now the piss thing is something I have noticed but haven't really payed attention it because bffr why the hell would I so idk, maybe the author is trying to tell us something or the guy thinks pee pee poo poo funny🤷‍♀️.

Is there any plot besides the weird stuff?

See now this is the part that gets me most because the reason why a majority of people nowadays got into MiA in the first place is BECAUSE of the amazing plot. The world building, the mystery, the fight scenes, etc. It's amazingly drawn, nicely paced and unique in its own way. But of course, it's manga&anime and what's anime without fanservice? I already explained that in manga, said scenes can be easily skipped and the anime thankfully doesn't include a lot of these. I do have to admit thag I dropped the manga for now since the chapter where they were in a bath cuz it was another one of those 'here we go again' moments where it made me roll my eyes and just close the tab so I don't really know what's been happening recently and if things go weirder.

I'm also gonna tell you honestly that yes, the fandom is filled with sweaty dudebros itching to see these kids half naked and the author is aware of them and pondering to them because he too is one of them. But a large majority is back from when the anime originally came out and are mostly hiding on twitter so it's easy to avoid them and they've been pretty rare ever since people with actual interest in the series have begun watching it. A reason why back in the day I didn't wanna interact with the fandom at ALL was because the moment I tried to have a normal conversation about the plot and what might actually be going on, I instead get bombarded with "UWAAAA😭😭😭" and 'c*nny' comments. I also cannot defend and don't even plan on defending the fact that Faputa is pretty much naked the entire series. I get that she lives in the literal wilderness, but the very least you could do is put a cloth on her y'know. And mind you, I'm talking about the manga. The anime is a LOT more heavily censored, and from what I heard, even MORE censored in Korea.

To sum it up:

Do I think Mingi/Soobin/Woozi are p*dos cuz they watched the anime? Absolutely the fuck not. Considering Mingi is a big CSM fan, I can see why he watched Made in Abyss because I was in that same pipeline. I think some of you are going way too far with these comments, if you wanna call them weird, creepy, wanna unstan them for reading stuff like this go ahead, not gonna stop because in the end no one can but accusing people of crimes isn't funny and never will be. If they were exposed for watching shit like Kodomo no Jikan then that most definitely IS eyebrow raising. Maybe I'm slightly biased due to me only enjoying MiA for the plot so seeing people say the fans are p3d0s when the first time I watched this was when I was freshly 15.... yeah idk abt that one. Whether they liked the weird and questionable scenes, I have zero idea I'm just here to say that you can enjoy said anime without being a weirdo and you shouldn't begin jumping to conclusions and start calling people straight up criminals. If anyone wants to have a productive conversation and ask questions abt said anime cuz I doubt you're gonna go watch an anime over a Twitter drama, go ahead and ask. If you wanna insult me and call me a d!ckrider then go ahead and do that too, who am I to stop you?

[rose-tea-and-strawberries]

So, Across the Spiderverse has had me in a chokehold since I watched it. Could you imagine a Yuu in the House Mouse au who is not exactly powerless, but her abilities are not magic-based? Welcome to the crossover that nobody asked for, and I'm gonna pretend that secret identities don't exist for a moment and that disrupting canon events from astv don't exist.

Spider!Yuu's spidey senses can tell when danger is afoot. Whenever she's on the clock, there's fewer accidents and just swings by before Goofy trips and tosses all the dishes. She can tell when either Pete or Mortimer are here.The staff can rely on her for cleaning the high ass ceilings because she can climb up walls with no problem. And her webs make the best Halloween decor.

Von Drake and Jumba being so fascinated with Yuu's anatomy and intelligence. Whether has organic webbing or made web shooters of her own, they want so badly to experiment on them (definitely not gonna try to get bit by a radioactive spider too, nope).

Jamil being torn from freaked out to having a crush on a girl with spider powers. Jafar trying to convince him that she's not an actual spider so that his ship could sail

Yuu making a web hammock to calm down the little kids in the club. Next minute she's having a strength competition with Hercules and Gaston because she can lift up to ten tons.

The clubgoers seeing her memories and freaking over the fact that Yuu has been up against so many dangerous foes and life or death situations such as the iconic train scene. It scares them even more than the overblots do.

The Parr family from the Incredible (if they're here in the au), feel so bad because she's doing vigilante work all on her own. Edna mode upgrades Yuu's spider suit to a new level with glee.

Yuu: No capes please. It's disrespectful to my image.

Edna: *sniffle* Would you like to be my daughter?

Okay okay okay first of all I'm going to vent a bit about ATSV because Pavitr my boy, my sunshine, my everything is literally so important to me like hell yeah give me the south asian/brown kid representation (now if only there was an young asian girl with a bob so I can feel better about that Dora the Explorer look my mum forced me to have throught 90% of primary school whilst all of my friends got to grow their own hair out)

Also not going to lie the only reason I'm into ATSV is because I've been a Mayday Parker stan since 2017 - like she is everything (and her backstory is just so sad like PeterMJ didn't deserve that). My favourite spider-people after Peter are his multiversal daughters because girldad Peter is everything (I actually own physical copies of the Renew Your Vows comics that are about Peter and MJ's daughter, Annie-May Parker, and they are so frickin good) but I digress...

Yes but Spider-Girl!Yuu is so cool. Thank you for giving me this idea.

I don't know if I want Yuu to have her own Guy in the Chair back in her universe and for Idia to feel jealous/threatened or for her to have no guy in the chair until she comes to twst and Ortho is like 'my time has come'

Ohh imagine the insane parkour skills she, Ruggie and Aladdin would have.

I know that being insanely smart in science is a Peter Parker thing and doesn't really apply to all Spider-People but I think she would be a science whizz (and joining the science club - making Crewel's already glaringly obvious favouritism skyrocket) and hanging out with all of the scientist characters like Prof Von Drake, Jumba, Yzma etc.

Her and Herc would be training buds. He'd see her and her heroics and superhuman friend and be like 'new best friend :D'. Phil loves the heroic potential she has and wants to train her but Pegasus and Megara are like nope and swoop him away.

Oh but imagine the beastfolk finding out about her enhanced senses and how sometimes they cause sensory overload and helping her out because they grew up like that so they know how to manage it better (I once read a fic that said that Savanaclaw showers have soaps with subtler scents to accommodate their enhanced sense of smell and like yes) whilst she's still getting used to it and has to keep it a secret back in her world.

I'm thinking back to all of the MCU!Peter Parker fics I read and all of the spider DNA tropes that tickled my fancy and I can just imagine the twst/HoM cast reacting to things like her having no thermoregulation (and going into hibernation), her purring, her being allergic/having a poison like reaction to peppermint, her having fangs (her being venomous would be cool as well - like imagine Kaa being all fanboying over her fangs and venom glands) etc..

Okay so I remember having a bunch of ideas about this but I can't recall all of them so here... 😅

[doink-boink]

I fully think that Zach does what he does because he is a VERY LONELY MAN. He makes robots to do his bidding (keep him company), he acts like he hates dealing with people but leaps at the opportunity to work with the other villains. He's also a genius whose ideas have been scorned since he was little, probably incredibly isolating for a guy who could have taken his ideas and used them in a good way if he was encouraged to do so. Major gifted kid to burned out adult vibes. I just feel like he has a lot of potential......

-Martincrushcameback

Yes!! Regarding leaping at the opportunity to work with the other villains, you can really see that in The Mystery of the Weird Looking Walrus!!

(More under the cut because I ramble for a good while)

He desperately wants Donita's approval as well as her friendship - of course that blows up in his face, not only because he didn't get her the pearl, but also because yknow. He's a big ol liar lol. I haven't watched the episode with it, (as I'm not on season 6) but you can see this when he compliments the Amphi-Trek XT!!

Zach stops himself short as he's about to compliment an invention that Aviva made because he wants approval from Paisley!

I want to explore this more in my fic, especially regarding WHY he and Aviva aren't close. They went science camp together, yes, but the show drops little details between them that implies that they might have actually been friends. Or at least, that's how I interpreted it!

In my AU I think that they were good pals up until Highschool, but Zach's decision to work with animals is what ends that friendship. He had no regard for their feelings and health, using them for his own gain. (Additionally, he starts to use animals/pursue that as concept as AVIVA began working in that field!! He wanted to connect with her, but ended up driving them apart.)

In typical Zach fashion, he refuses to stop what he's doing because it's getting him attention from others, maybe even the school itself, giving him the praise that he needs. His own ego ruins everything!! As it does in the show! Furthering "because it's giving him the praise that he needs" thing, I feel as though he isn't close WHATSOEVER with his parents.

At least, not in the typical fashion. AU wise, I think that Zach has a strained relationship with his father, but was very close to his mother! Want to make it a Moral Orel type deal with Clay's backstory where something happens and his mom is out of the picture, leaving him with his dad. Maybe this happens before he begins to use animals for his bidding? It would make sense! He wants some sort of attention that he isn't getting at home, some sort of acknowledgement that he's doing something good!

Aaaa!! There's so many things to explore with Zach as a character!! He's so fun man. And so very tragic at the same time lol

Also would like to bring attention to his CLEAR want to express his self worth!! I feel like he "looks up to Aviva" in his own weird little way in canon. Of course he is actively 'tearing her down' here, but you can tell that he KNOWS what she's capable of and wants the other villains (that's the context here, I believe it's Paisley's introduction to them) to believe that he's capable.

Even after this it's really clear to see that regardless of how he feels about her, he LIKES Aviva's inventions enough to steal them time and time again!

Dude. Dude just go work with her man it's for your own good... Wink wink nudge nudge I toooootallly won't do this in Somethings Never Change nooooooo

But genuinely, he would have so much to gain from WORKING WITH AVIVA. He wants her companionship so bad man.

Sorry this post got so unbelievably LONG lol, I've got a lot on my mind about these guys. Also apologies that I went on my own little sub tangent about my fic, hope it was okay!!

[ryuki-draws]

Alright, I just randomly discovered your blog, and I inhaled like all of the Local Trains AU content in less than half an hour. It makes me so happy and I can't wait for how it continues! I'm still incredibly new in the Transformers fandom and it's artists like you who make me want to learn the lore(s) even faster so I can also do silly stuff with my own little guys properly.

Also, as a Czech person, I admit I stared at the screen a bit too long when I read the AU description (≧▽≦) Czechs represented in fandoms? In this economy?! The RegioJet space shuttle made me cackle, too. Move over, NASA! I just hope the interior is more like the buses, 'cause that's the stuff...

Anyhow, keep on drawing, Astrotrain and Grease are absolutely lovely together and I need more of them. You've got talent! ⸜( *ˊᵕˋ* )⸝

Hi, hello! :D Thank you for such a kind message, I'm glad to hear you're enjoying the trains! There's a lot to explore in the TF fandom with many creative people around, I'm sure you're going to have a great time on your big vehicle robots journey. There are so many possibilities for OC creations and backstories!

YES, a fellow CZ & SK fan! :D I mean, it's fun to see all the stuff happen in canon, but what about we bring them here for a while? I want to see Optimus Prime as Tatra 815, thank you very much! (or, you know... a RegioJet Astrotrain). I've never actually been on a RJ bus though, shame on me. Though the idea of Grease boarding Astro for the first time and the interior is like in a Low cost train car... what a trip to the Moon would that be :'D

I definitely have more planned, their little adventures are really fun to draw! Thank you so much! ♥

Here's Grease and Astro dealing with your typical winter on Czech and Slovak rails :'D

[laurabwrites]

WIP I'm Accepting I Will Never Write

My brain has been generating too many Star Wars ideas for me ever reasonably get around to writing all of them, so I'm going to start dumping them on here (maybe AO3 as well, not sure yet) once I've accepted it's an idea I won't get to. So, to start off:

Anakin got Arrested at the Start of the War

In this one, Anakin's massacre on Tatooine was revealed shortly into the war (Qui-Gon Jinn's ghost, A'Shared Hett or Padmé having a conscience, doesn't matter it's not the point of the idea and I don't think it affects the plot). Anakin goes to Jedi jail in the Temple and the war proceeds apace.

At the end of the war, when Palpatine sets off Order 66, the Temple Guard who in another timeline became the Grand Inquisitor lets Anakin out. They would be killing all the Jedi, but somehow the Jedi have been alerted and the Temole seems strangely light on clone troopers they could be using as backup. The Grand Inquisitor knows this, Anakin doesn't. He's been in Jedi jail and has no idea what normal operations in the Temple have looked like for the past three year. They manage to get to the atrium of the Temple with the objective of getting out and rounding up some clone troopers to come back with. Except there's this Tortuga fighting both of them. She's not getting in any hits in on them but this scrappy, can't be more than 16, 17-year-old is holding both of them off while simultaneously organizing the Padawans and Initiates to grab younglings and run.

Then the 212th enters, Cody and Rex frog marching Obi-Wan in.

Which gives Anakin the opportunity to villain monologue about the Jedi Order not understanding emotion, they threw him away, Palpatine recognizes his true power, Obi-Wan will see the destruction of everything he holds dear, blah blah blah. Basically entitled white boy I did no wrong (ignore the dead children), you'll regret being so mean to me (enforcing the consequences of my own actions), ranting regurgitating Palpatine's bullshit about Jedi.

Meanwhile, the Grand Inquisitor is noting that a lot of kids are safely getting the fuck outta Dodge and the 212th is getting some good lines of fire. Why are they letting Anakin monologue instead of enacting Order 66?

Finally as Anakin is winding down, Obi-Wan speaks up: yes but, you see, you made one critical mistake.

Anakin, sneering: oh what's that

Obi-Wan: you hurt your Padawan-sister

Obi-Wan Force pushes Ahsoka and every remaining kid out of range while the entire 212th opens fire on Anakin and Grand Inquisitor.

Inquisitor is dead on the ground (sorry buddy, you were just a plot device to get Anakin out of his cell and show off how badass Ahsoka is with Soreasu mixed into her Jar'dai (I think I spelled those right...)). Anakin is on his Force bullshit, not quite dead, as Obi-Wan, Cody, and Rex come over to check.

Anakin: you won't finish me off, you're a Jedi, you're too weak.

Rex putting three rounds in his chest and three in his head: I'm no Jedi, slaver.

Backstory to get to this scene that slammed into me like a ton of bricks months and months ago:

212th never split the 501st off since Anakin wasn't there to get Knighted. Therefore Fives went to Obi-Wan when he found the chip. Obi-Wan got Shaak Ti to distract the Kaminoans, so Quinlan (or another Shadow, but I like using Quinlan for the known connection to Obi-Wan) could dig in Kaminoans' files and find documentation as well as an emergency counter signal. Obi-Wan dechipped his battalion anyway, not wanting to rely on the counter signal being permanent. They then jammed Coruscant's communications when Cody got the Order from Palpatine. 212th then uses the counter signal on the Corries, as they go to the Temple to grab whatever Masters were on planet. The clones and a fourth of the Council go kill Palpatine as he's declaring the Empire on the floor of the Senate.

[blacclotusss]

Do You Know What It Means to be Loved by Death?

My meta and analysis of my favorite scenes from IWTV s02e02

Louis and Claudia at the Cafe

Been a favorite of mine since the scene dropped way back in February. I've always loved Louis and Claudia moments where the two of them are just acting like the siblings they are. Claudia's question of who Louis is, I believe, implants something within him. Louis does dodge the question, of course, but I think we'll see what happens once he's without her. Now, the question is whether he will be without the hallucination of Lestat (I don't think so).

Claudia and Madeleine Meeting

Claudia and Madeleine's first meeting! Eep! There was more tension than I was expecting, but I liked the interaction. Claudia bursting in and demanding her wants is music to my ears.

Louis Cruising

Baby...I'm so glad Mr. du Lac is in Paris living it up and doing so freely. I do wish we could have seen him cruising more...explicitly; especially with the way Armand and Louis described their love lives. But, it's nice to know he was free and without judgement to do as he wanted.

Louis and Armand's First Meeting

Can we talk about legit love and first sight?! They're both so cute in this moment, it's the sweetest thing. The awkwardness of Louis against the smoothness of Armand meshed together beautifully. And the way the two looked at each other as they recounted the story was so magical. "I will not harm you" "And I never have." Such a tender moment and I hope and pray Armand has not hurt that man in any way, even indirectly. I can see it in the both of their faces that they wish to go back to that time, if only for a little while.

Introduction to the Theatre/Coven

I am such a sucker for all things camp and theater and this was both of those on steroids. The theatrics, the acting, the usage of both the projector and the blurred lines between real and fake was amazing. It felt like a show all on it's own. Louis and his facial expressions were hilarious and you can clearly tell it's not his thing, but Claudia wants to fully immerse herself in that. It was so sweet looking at how in awe and happy she was to see the production. Cannot wait to see her on the stage. I'm glad the show have each member of the coven a bit of backstory instead of just sticking them in the scene. We can already see on stage Santiago's personality and I'm intrigued with how he'll develop. I also noticed Armand seemed to be a bit distant when watching them interact. I believe he's already began to pivot his focus to Louis, which is confirmed in the murder mansion scene.

Lestat Reading His Letter to Louis

The only time we see Lestat in the episode and of course it's a tense moment. The first time we hear from de Lioncourt himself (will we have more of these moments?) and you can feel the tension and despair in the air. It probably made things worse for Louis for a couple of reasons. One, even in "death" Lestat, his first vampire love, loves and trusts him. "Know only this, mon cher, you are the only being I trust, and whom I love, above and beyond myself. All my love belongs to you. You are its keeper." That probably made Louis' heart swell. But, as much as it swelled, it hurt him beyond measure. The mention of treachery and seeking revenge probably made him feel as if he was choking. He knows he's the one that's going to have to let treachery eat away at him and let Lestat's face press up against his longing. I'm not sure if his hallucinations of him are longing, but the idea of killing him is still eating away at him.

Louis and Armand Toying with Daniel's Thoughts

Whew boy. This was a doozy, wasn't it? I was not expecting the flashback moment in that scene but I have a few theories. One: Armand is Alice. Yes, it's controversial but after this episode I don't think it's as far fetched as it was in season one. Armand popped up at that moment for a reason. And it's quite funny how no one has checked on the man, not even his daughters. I get strained relationships, but was it that bad? Now, I still don't fully believe this theory, but it's a thought. Another theory is that Armand's relationship with Daniel parallels his and Alice's. We don't know the full extent of what happened, but the two got divorced and no longer speak so it wasn't good. Third, Armand could have simply planted that in Daniel's head, which I think is the strongest one here. We all know Armand possesses the capabilities to do this and that flashback could have been him planting that in his mind. I saw someone say something about the editor messing with Daniel as well since they were the ones who pointed out flaws in his book (read by Louis in season one), which would be crazy, to say the least, because why?  And say what you want, that old bastard deserved it.

Murder Mansion Scene

Another scene I've been obsessed with since we saw it last year. These two are just lost in each other as there's a whole murder party happening behind them. I did like how protective Louis was of Claudia when Armand mentioned her (Armand please don't piss me off), but I hope he takes lessons from Maitre about shutting off his thoughts because that could definitely be his downfall.

[hellobitchlet]

This was originally going to be part of my thoughts on the first act of Natlan, but it got pretty long so I'm posting it separately.

With Natlan further tripling down on "the harbingers all have different goals, they're just part of the same organization", I just want to say that this plot point has been annoying me for a while now. Hear me out, ok?

Don't get me wrong, I really like Scara's backstory. But since Inazuma started, everything with the Fatui has quickly turned into yearly "what is this harbinger up to? And what is their backstory?"

I mean, when Scara first takes the electro gnosis and betrays the Fatui, it seems cool. Because it was the first time a harbinger seemed to not care about the Fatui, and they could have made some juicy drama with it. But they didn't.

Dottore showed up, trying to make Scara a god, and the electro gnosis plot was over. Then Scara got a quest focusing on his entire backstory EXCEPT for the Fatui. Nothing with Dottore was really about the Fatui either, just his research. Then Arle showed up, and despite being raised in a harbinger's orphanage, she doesn't care about the Fatui either. She's involved in a Fatui project, but we barely focused on that. Signora is almost never brought up.

The Fatui's plotline and screen time has always focused on the harbingers, with any focus outside of them coming from rare, lazy world quests with unimportant npc's you're never going to see again.

So when the harbingers themselves are completely ignoring everything outside of their own stuff? We... barely have any grasp on wtf the Fatui is even up to, and almost no world building being done with them. Because instead, we're talking about Dottore wanting to make a god. Or justifying Arle's child abuse towards Fontainian children with her backstory.

This is the main reason why I've always believed that Childe and Signora are the best written harbingers. Childe's character stories and story quest is the only time I've felt like regular Fatui lore was done with a notable character. These two (+ Pierro) are the only harbingers so far who seem to give a shit about the Tsaritsa, and their 'separate goals' and connections to other sections of the lore are small things that still leave plenty of room to be involved in the Fatui. Childe is actually from Sneznhaya and was a normal member at one point, and Signora actively agreed with Tsaritsa's ideas.

(And, yes, Lyney, Lynette, and Freminet aren't harbingers. I'm happy that we finally have playable, non-harbinger Fatui characters. But you can't deny that they're just extensions of Arle. After Fontaine act 1, no one really regards the twins as Fatui, they're just part of Arle's orphanage. They only talk about Arle and the orphanage. We don't even know what Fremi's job is, and the twins' character stories and in game appearances are so separated from each other that it feels like their spy work isn't canon. They don't care about these 3 or expanding on the Fatui through them. They're just here to prop up Arle.)

[intimidating-fettuccine]

here's a question that has probably been asked before: how did you come up with you rewrites for the characters? all of the backstories you gave them are really interesting and, while I haven't read the originals in a long time, I think I like what you did more. I found your work only in the past couple days, but I like it a lot; your versions of the creeps feel the most like real people that I've found since my interest in them reignited. but yeah, love your work.

(also, I may show back up in your ask box, so may I be "embroidery anon"?)

Firstly, thank you very much!! I tried really hard to make them much more realistic/three dimensional instead of just “oohhh I like to kill people!!” Ya know? I’m glad that people like you over time have liked that aspect of them :)) Prepare for some rambling though-

As for coming up for their specific backstories, that’s a little hard to answer I think just because of how long it’s been since I started doing that. I’ve been into the creeps since I was 11 and I’m turning 23 in a couple weeks so, it’s been a long ride. The creeps grew up alongside me and I think for some of them their stories just sort of evolved in my mind over the years. I mean I’ve literally been in the fandom for longer than several creeps like Toby, Pup, Helen, etc.

The basics are just I’d look at the original story for most of them, decide what I think I could keep, and what I’d like to change. For a creep like Toby, I wanted him to still have a good relationship with his mom and sister, and I still wanted his sister to die, but for Natalie I made her brother an ally to her and someone she loves and trusts instead of one of the bad guys. But I mostly wanted to make the writing darker and more in depth, I wanted them to be darker and more realistic as people.

I also wanted different backgrounds for them, like Toby/Helen/Natalie coming from very rich and influential families, EJ in my canon growing up in a cult, Jason and LJ both being toys instead of just LJ, things like that.

The thing about rewriting them I think is that most of the OG stories are not… The best written stories ever? Most of them were written by preteens/teens and not the most realistic pieces of media. Like in Jeff’s, being burned by fire made his hair turn black and his skin turn white, which is not really how fire and burns work?? And then he went on to burn off his eyelids which also not a great idea? I’ve actually had people get upset that my Jeff has eyelids but like if he didn’t he would be completely blind and in literal agony because his eyes would be completely dried out. That’s not a great design imo, but it was also written by a child so like, that’s why.

Most of my designs just sort of pop into my head randomly though. I get an idea like for BEN I wanted him to be close to his mom, but I didn’t want her to still be living so I went okay, how do I expand on that? And that’s how I came up with my version of his story, with his mom dying young from illness and his father being abusive and resentful.

I wish I had a better way of explaining it but that’s just sort of my general thought process. I started to look at them more as individual characters/OCs instead of just the original lore, which I mean most blogs for the creeps these days have their own lore too. I don’t think my creeps are the best ones ever (except in my heart), but I also had a lot of fun writing them and coming up with their backgrounds. I got influenced a lot by songs and media and they just gradually came into fruition :) I’m glad they were good enough to reignite your interest.

(And also yes, you may take that anon name ^^)

[batrogers]

Febuwhump Day 20: Truth Serum

Fandom: Linked Universe

Approx 1300 words

Rated T for alcohol consumption and mature themes (politics and violence, not sex)

(References a lot of my own backstory ideas for the boys from other headcanon posts I've made, and other writing.)

In which the Chain tries to relax, and a few lips get too loose.

“Frankly some of you should be grateful you don’t have a Queen,” Twilight said, and Link leaned back in his chair and reconsidered if he really wanted to keep up with the amount of liquor the others were having.

They were already a pitcher of arkhi and two bottles of wine down, most of which had gone into the older men’s glasses. Link was drinking, but he’d been drinking kumis and beer most of his life because the water wasn’t safe. It was getting better, slowly – as far as he could tell, monarchy and Hyrule seemed to make the world repair itself when they were aligned – but that wasn’t Twilight’s experience.

Wasn’t the rest, either.

“Why not?” Wind retorted.

“A queen’s at least better than a King,” Time said. He spoke over the smaller boy, his chair tilted back and a small smile on his face as he looked into his nearly empty cup.

“There’s no reason a Queen’s better than a king. Rusl doesn’t trust her, and he did know the old King.”

Link frowned. “Is it usually a King causing problems for all of us?” he asked. It was true a King had been why the younger Zelda was put into a centuries long sleep, but...

“King Daphnes did what he could to save Hyrule,” Wind insisted.

“I know King Rhoam was trying...” Wild added.

Warriors – sitting between Twilight and Time, and Link was beginning to suspect this was for the best – chuckled. “We haven’t had a King in a long time, but everyone does say it was a Queen that set us up for where we are now.”

Time raised his eyebrow. “That sounds like a bad thing.”

“Oh, it is.”

Link looked desperately at the bar. Legend and Sky were getting more food for their table, but they’d gotten caught up talking and didn’t seem likely to return soon, but by all the Gods Link hoped they would before this got any further.

“I told you,” Twilight continued. “A Queen isn’t better!”

“Does your Zelda know you think that?” Four asked.

“Yes!”

Time burst into laughter. “I imagine she takes that well.”

Twilight slapped one hand on the table. “She doesn’t have to take it well. It’s not like she can argue, they haven’t found the path into the castle grounds.”

“Is your Rusl one of the Sheikah?” Warriors asked, and Link rapidly tried to remember who the Sheikah even were. Judging by the look on Wild’s face, this was bad.

“No. Why?” Twilight made a face. “The Sheikah nearly died out, their village was destroyed.”

“Did the Royal Family kill them off?” Time asked.

Wild put his face in his hands. “Hylia’s fucking tits,” he muttered and pushed his chair back from the table. He got up, and the other three didn’t even notice. Wind followed. Four, seated next to him, continued to watch with a look of near fascination. Link was pretty sure he was drunk as well, given his size.

“Why would you guess that?” Twilight retorted.

Time shrugged, as if it didn’t matter. As if there was nothing unusual at all about his guess. As if he wasn’t about the say the worst thing Link could imagine: “I’ve seen what they did for the Royal Family.”

Warriors reached for the pitcher of wine again, and Link debated if he should take it away before they dug the hole deeper. “For them or to them?”

“For them.” Time blinked and offered his cup. “Why would you ask about what they did to them?”

“Zelda spent nearly four months not revealing herself again in case Impa was working with the Witches to try and kill her. It wouldn’t be the first time one of the Sheikah killed a King.”

Link’s throat caught, but that, of course, was the moment Legend and Sky returned. He waved for them to sit down and Legend shut his mouth on the obvious question and laid down the basket of bread before sitting to whisper in his ear.

“What the fuck are they talking about?”

Link swallowed. “Their royal families and the Sheikah, now.”

Time, unhelpfully, laughed again. “Did someone start telling that story then?”

“What story?” Sky asked.

“That it was a Sheikah who killed the King.” Time took a long drink and wiped his mouth. “I mean, I know Twilight comes after me so I suppose the distrust of the Royal Family would stick after what Zelda’s father did.”

“What did he do?” Legend asked. He looked like he wanted to regret it immediately, but stuck it out and kept his face even.

Time stared blindly into his cup and shrugged. “He tried to change Hyrule to suit himself. He killed Zelda’s mother and sisters and left her alive thinking she couldn’t inherit the goddess’ blood because he considered her a son. He was wrong, obviously.”

“Didn’t you say he was still alive?” Twilight asked.

“Oh, he is, but he can’t do anything.” Time gestured broadly with his glass, drunk enough he nearly spilled. “Zelda would hardly let him try even if he could. He narrowly survived an attempt on his life and stays in his rooms now.”

“By the Sheikah?” Warriors guessed.

Time, unnervingly, laughed again. “Well. Sort of. What about yours, Twilight? Did Rusl kill the King?”

Twilight sighed. “Yeah, him and a group of his friends. They were helpful when Zant took over, because that meant they could get me into the castle and help out but Zelda knows they exist now so it makes it harder.”

“So better for them you’re with them and she can’t retaliate,” Time pointed out.

“Can’t she just tell you to stop?” Warriors asked. “Like – wait you’re not in the army are you?”

“No, of course not.” Twilight rolled his eyes and shot Warriors an annoyed look. “Why are you?”

“What?” Warriors blinked from him to the rest of them. “It’s not like I had a choice, I’m the eldest son. All of us belong to the army.”

Four sat up straight. “Wait, belong to, like you’re stuck there?”

“Yeah, like that.” Warriors toasted the smaller man. “You’re too young still, aren’t you?”

“For another year or so, but I’m not sticking around for it.”

“Who would?” Legend muttered. “Hylia’s cunt, Wars, just leave.”

Warriors’ cup hit the table heavily and he spread his hands with a dark smile. “I can’t, Legend. It’s not allowed. If I go anywhere, my mother and sister goes to jail, and me too if I’m anywhere they can find me.”

Time put his hand on Warriors’ shoulder then. He closed his eyes with an almost pained look, and Link swallowed the lump in his throat.

He knew of people trapped like that. Usually young women in the cities, caught by charity that turned into demands they work off the debt before they could leave – but what debt had Warriors had? Was it something about the war?

He couldn’t ask. Wouldn’t. He could already tell the question had left him cross and angry, and Time pinched the bridge of his nose.

“We all have duties we can wind up trapped by,” Time said. “Fuck this...”

“Sure you’re trapped by loyalty. Not all of us get hung up on that,” Twilight snapped. “Did Zelda buy you off?”

“She gave me Lon Lon Ranch, if that’s what you mean,” Time said. He turned a deceptively mild smile Twilight’s way. “Mostly because I needed some protection after she blamed her attempt on her father’s life on me.”

“On you?” Warriors’ chair hit the ground with a snap. “Why?”

“It was convenient. Everyone already knew I’d lost my mind in the last battle.” He touched his face, over his scarred eye, then shook himself off. “Excuse me, I should go to bed. You, too.”

Warriors didn’t need more convincing. Twilight muttered something rude under his breath, and left not for the bedrooms upstairs but the stables. Link let go of a breath he didn’t realize he was holding and swore.

“How much of that do you think they’ll remember in the morning?” Legend muttered. “Fuck. Hyrule, what the fuck else did they even say?”

[frozen-snowflakesandsunflowers]

Elsa losing her powers & Hans' Redemption + backstory | Theory

Cover created by me

Since Frozen 3 has been announced, it's left us questioning; What more could be told of the sisters' story, especially Elsa's story now that after years of searching she finally found herself as the 5th spirit? But has she really found herself? What would she be without her powers? The very thing that defines her to most. How would the world see her? But most of all how would she see herself if she lost them, even if it was temporarily. Who would this time pull her out of this new found identity crisis and who would she then become and stay as?

[Long post alert]

Elsa's losing her powers

I've seen a few posts going around theorising and wanting Elsa to lose her powers by Ahotohallan being destroyed. And reading them and understanding their perspective, I start to love the idea more and more to be honest because I honestly feel Elsa is mostly loved by the audience for her powers or at least some of the people who know her in - universe see her for her powers but what we really need to see is who she really is without it too. I think that could be quite important to see. How would she continue to look out for her family, her people, her kingdom and her forest?

Frozen 3 has been debatable since its announcement because of Frozen 2's ending, also quite controversial. I personally am always generally excited for more movement in the franchise because I'll always love Frozen no matter what. Frozen will always be in my heart, especially the first movie. But yes I am unfortunately on that "disappointing ending for Frozen 2" boat but I also see that Frozen 3 could potentially fix some of things that have been bugging some of us as well as adding and keeping the things we love. Frozen 2 was originally going to be the last film I think given Jen Lee's words in one of the interviews back then but looks like they changed their minds and might possibly be listening to us and this new director of Frozen 3 could do just that. Jennifer has recently said that there's a strategy to 'more Frozen' and that is that if there's more to tell for the story, then more Frozen will happen. So they can't keep the sisters separated for too long and will expand on the characters growth which is a good thing because it gives them the opportunity to fix the things we don't like and add things we do want to see.

Some people don't quite understand Elsa's fifth spirit role, why she had become something so unclear to understand, and made a decision to live in the forest instead. I from a perspective can understand it. Though the podcast is non canon, it's still something Elsa would do and act in on a situation given as so. The spirits are quite mythical and powerful but can easily be in evil or someone who doesn't understand magic's eye's catch and make them rage, as we do see in the podcast with Disa. But at the same time as looking after the forest, she is also concerned about her own kingdom. My explanation includes spoilers from the Frozen Podcast so skip to the 'Reasons for powerless Elsa' part. Queen Disa lives in Arendelle after a flood encounters her kingdom. Anna with open arms accepts Disa and all her people to her kingdom while Elsa had her doubts on Disa over time with her uncertainty yet knowledge for magic but respects Anna's decision of course. But actually it's just Elsa who misses being Queen having her schedule, knowing what decisions to make, but she's not at all saying Anna's a bad Queen, she just missed the role. Weird shaped machines are found in the forest that cause the spirits to act up and Elsa deals with them with Anna's help. Disa eventually admits she put the machines there because she wanted to help Arendelle. When Anna tells Disa of her confession, Elsa still feels no good about Disa despite her good intentions. The point is that Elsa is mainly in the forest to keep it out of harm's way such as we see. Also because of the fifth spirit being the bridge between Arendelle and Northuldra. If you look at the scene where the sisters reunite you could say that Elsa actually means that the bridge, the fifth spirit is both her and Anna. While Anna looks after Arendelle, Elsa looks after the forest. But I do also wish to see Elsa return back to Arendelle permanently at some point. I'll expand more on Elsa's fifth spirit role in another post but what this has to do with powerless Elsa is you first have to understand what she is with those powers now to understand how she'll be once they go.

Reason for powerless Elsa

Elsa has recently got a lot of hate - well actually I really wouldn't say hate but rather less love than she used to get because looking at the franchise as a whole Elsa takes up some of the spotlight and her growth through her powers is evident throughout. Why not really show her development in the character she really is, by making her understand not what they're worth but what she's worth with and without them. She's first seen looking at her powers as a curse and feeling fear of accepting her powers completely and seeing it as a gift that it actually was in reward to Iduna's act of saving Agnarr, her people's enemy. She's always been the most popular between the sisters too within fans and stood out more in merchandise too partly because of these powers. You'd even see kids dress more as Elsa than Anna. And that in her iconic icy blue gown. But while Elsa lost some love, Anna has gotten more love. Throughout the franchise, we see Anna's growth through optimism through all her ups and downs, especially her deepest darkest moment in Frozen 2, given she thought she lost everyone and everything at that point. It's not easy being head steady and strong in such a situation but she really showed us that we can do it.

And no I'm not saying Anna had more character growth than Elsa or vice versa in any way - please don't get me wrong here. I love the sisters both equally - it's true! I'm saying we need to see the natural side of Elsa. We need to get to know her for who she is without them too. Just like how Anna was more than just the spare (as it goes in a deleted song for Frozen) and a few years later she became Queen because she did truly earn the role through everything she endured in that sequel, the same way I want to see Elsa being more than just her powers. And while you're at it let's give her another big solo, with most or all of it being without her powers showing her athletic abilities and strong determination that is already there and is enough to survive whatever situation goes on. That moment in the dark sea when Elsa faces the very sea that killed her parents was one of my if not number one favourite moments in Frozen 2. We got to see Elsa run and jump and dive and literally fight and tame at the same time, a water horse. Elsa had been wondering her whole life about her powers origin and now that she's so close to not only seeking the truth about that but about the past that could somehow destroy the future of Arendelle too. That determination to set things right, to find out who she is is what I want to see but extract the literal magical side of it.

And as far as the theory of Anna getting powers goes, I personally don't approve of it because I think it sends the wrong message if Anna becomes like Elsa. That would make people prefer one or another even more and create the typical 'whose more powerful' argument etc. Anna already has powers. It's love. Yes love. It may not be a literal thing she can shoot out her Hans like Elsa but like hers, it's in a way a true force of nature. It's the strongest power there and Anna shares that power with everyone. So instead of giving a character powers they should strip Elsa of her powers temporarily to get those who see her for just her powers, to see her as so much more than that.

The effect of losing her powers

Elsa losing her powers would make Elsa be in an identity crisis, thinking she's nothing without them. In Frozen, her identity crisis was about how she was with her powers, feeling too dangerous for this world. But she's grown since then and has come to terms with them so now instead of feeling relieved as she would've in the first movie, she feels anxiety of not being enough to protect this world. Everyone has mostly relied on her because of her magic, so she would fear everyone loving her less or thinking herself as useless without them or something along those lines. (In Frozen 2 we literally see her taking requests from a few of the citizens to make ice sculptures). Elsa then finds herself back to square one; Hiding from everyone, wanting to be alone or hating herself. And I'm not saying everyone, in Arendelle and around, love for her for her magic only but Elsa, losing her powers, would think that but now that she's embraced her powers, with Arendelle and Northuldra now looking onto her as their saviour, protector, warrior etc, it's natural for her to think so. I mean think about it - girl has been with these powers since she was born, they're literally a part of her. She hated them for most of her life ever since she first hit Anna with them, then she sees let's go of holding it back to finally seeing the beauty in them and then starts questioning it's purpose and if she was meant for more as she feels them growing so she starts to search for answers in a place where she meets other creatures similar to her feeling like she's not alone with being the only known magical being as a call comes from the North which leads her to finally finding the birthplace of her powers and finally embracing them but then.. they just go. Just like that. That would totally cause major trauma and grief and stress. She's relied on them for so long. She finally embraced them. Finally found out she was with them. They even saved her life multiple times. They were the very first gift. She thinks she's everything she is because of her powers; in Frozen, she thinks she can only harm with them, feeling like a monster and here she thinks she can only save and protect lives with them, feeling like a saviour/ protector. But through a journey she could have with Anna or even solo one similar to the journey to the North mountain (or rather to her building her ice castle) in Frozen or the journey to Ahotohallan in Frozen 2, she starts to see that she's more than just her powers. She learns to love herself for her true self, with or without them. That would mean she would learn to be less reliant on her powers and more of her natural elements. It's what's inside the heart that really matters. With everything she's been through so far she thinks she's finally found herself, finally embraced her magic, in Frozen 2, but no she really hasn't. I know she's the Fifth Spirit/ the Snow Queen and that's what her powers are of and that's what she is and you would think that would be her final destination of her journey of growth but no - fact is she is more than just her powers and she needs to see this.

How would she lose them?

Some of you might be wondering well, how would Elsa lose her powers? It would mean something bad happens to Ahotohallan. But no not necessarily because Ahotohallan could be the one testing her. It did give her the gift in the first place so it's much capable of taking it back too. But you also wonder, she finally finds who she is, what her role in life is, so how can she live up to it and fulfil her duties without her powers? Remember that these were a gift to her as a reward for Iduna saving Agnarr when they were younger. Let's not forget the most important part of it all that, Iduna saved Agnarr without any powers. From what we saw of her flashbacks, she had a close relationship with the spirits so they helped her in saving Agnarr. So Elsa should look back to that moment and believe she can still save the forest and her kingdom from any kinds of threats without her powers too. The spirits will obviously keep their bond with Elsa, if they're around depending on how Elsa loses her powers but she could too, like her mother, use the spirits' help but not for things that would take away the whole point of this test. That's one option to stripping Elsa's powers temporarily, a test from Ahotohallan to see her courage and determination to protect her kingdom and forest as well as those she loves, too see if she will still keep what she has learnt of the lessons she has learnt from last experiences. Another option could be a punishment from Ahotohallan. Perhaps Elsa takes her magic too far and gets carried away with it leading Ahotohallan to see Elsa being ungrateful. I mean she was originally in the concept set to be the villain if it wasn't for "Let it go"'s huge success and other reasons too. It would be interesting to see if Elsa takes a dark turn in believing whatever it is she's doing wrong is for the good. But I think the first option is more likely if Elsa were to lose her powers because it really pushes her limits and her character growth and shows everyone that she can be just as naturally strong like her sister and can depend on her one natural abilities and skills too.

The physical change

Speaking of Iduna, losing her powers would mean all those physical features of hers that show her powers would go making her go brunette like her mother, just like Anna has strawberry blonde hair similar to their father's and grandfather's. Her clothes would perish given they're mostly created with her own magic and so she'd have to rely on earth material clothes. Her skin would turn warmer from being as pale as the skin gets when one's cold. Her attire colour pall would de - transform from a bright and pale cool colour bright palette to a darker, desaturated one, still in cool colours to separate it from Anna's wardrobe but also to show that she still loves her cool colours. Anna has the greens and reds and warm pinks but I think Elsa will be similar to how she was locked up in her room with the dark pale blues and blacks representing the trauma and identity crisis within. It'll be a parallel to her trauma when being locked up. While her role-found gown is white, her no power attire should black. Then as she starts to understand the point of all this, starts to learn the lesson from this, her costumes start having more colour and perhaps when she's finally found herself it'll be blue and white showing the two parts of herself she found while struggling on a journey with her powers inn Frozen and Frozen 2.

Hans' role and redemption

Okay I know the very mentioned of Hans will blow some peoples heads off thinking “He's just a one time villain and joke” or “He tried to kill Elsa! Anna won't ever forgive him” or “Elsa mocked him in Frozen 2! She won't forgive him either” etc etc. But I'm not going to waste my time trying to explain why Hans deserves redemption and that he wasn't really evil or the real villain of the story, when the lovely @a13thprincefora13thprincess has taken hours out of her time to write the most beautifully written 13 part analysis on who Hans really is. It's incredible. It's what got me to really push on the call to Redeem Hans.

So while she breaks down Hans' true intention, I'm going to try and explain his return for redemption and his pivotal role in Elsa's identify crisis.

I think Hans would be quite important here and have a good parallel with Elsa's crisis here. How and what's his role in it? Well let me briefly explain Hans true intention first. Anna hates Hans, and everyone does too really for almost killing Elsa and attempting to overthrow Elsa's newly royal status as monarchy of Arendelle. But really if we look at the situation closely, the entire council including the Duke were begging Hans to kill her because she couldn't end it the winter herself and because they fear Elsa's powers could harm others. They wouldn't get off his back. Hans wasn't listening at first because in almost all the scenes Hans has encountered Elsa he's tried to convince her to not be what “they” [Citizens and the council] (not him) fear she is and try and stop this winter. But the more he saw Elsa controlling her powers by making a huge ice castle, a snow beast, a new attire, hurting Anna (seemingly intentional to him as by Anna's words), breaking out of the handcuffs and the prison cell and finally the blizzard having a sudden stop the moment he told Elsa Anna's dead, the more he saw that Elsa lied to him about not being able to control her powers which led to him eventually agreeing to kill Elsa seeing as innocent lives were in danger given the blizzard. Before the final straw, being the handcuff and prison break, he was gentle and kind, he never said anything mean about the sisters nor did anything against them til. Hans was stressed and put under pressure given the citizens of Arendelle freezing to death, the council begging him to execute Elsa, Anna going missing for days in freezing weather, begging Elsa to end this winter and Anna being the case of Elsa going rouge and freezing the kingdom by causing as scene at the coronation party. It was really a misunderstanding and his behalf. As I'm sure you've heard a few times in Disney media, villains aren't evil, just misunderstood. But really the council are the real villains of Frozen, not Hans. But then again seeing that kind of magic and the way her powers came out, one would feel scared and think she's some kind of Sorceress.

Hans' "villainy" reveal scene

When the kingdom was thawed, and Hans was surprised to see Anna alive, he said to her he thought Elsa froze her heart. I just want to go back to the scene where Hans "villainy" is revealed because I want to explain as briefly, as I can, how him being stressed was the cause of his bad decisions from that point after. Hans is surprised to see Anna alive, when she came to him for the kiss, because when his horse, who Anna rode to find Elsa, ran back to him he thought Anna didn't survive the cold and died. But Anna tells him Elsa froze his heart which genuinely surprises him because Anna before had told him Elsa would never hurt her and with such powers that Elsa had making everyone fear her, Hans genuinely believed Anna with that being said. What makes Hans think Elsa did this deliberately, is her lack of explanation, her precise words to Hans, who says she said herself Elsa wouldn't hurt her, being “Nope. I was wrong”. From this point Hans starts feeling confused as to what Elsa's intention is and realises that he has to kill Elsa before she hurts anyone else. As for Anna he starts thinking she deserved it because all of this was all Anna's fault because if she didn't create a scene at the coronation party, Elsa wouldn't have ran and accidentally cause the Kingdom to freeze and wouldn't have had the repetitive suggestions to kill Elsa and Anna too wouldn't have been hurt and Arendelle would've kept their respect for him. So it makes sense for Hans to burst under stress in anger on Anna leading him to go mad. Imagine it like this: You are put in charge of a kingdom. You have to make sure the citizens are warm and safe, but have to reason with the 'gone rouge' Queen and have to find the missing Princess all the while the Kingdom gets colder and people start to freeze to death. Stressful right? Not just for a ruler but anyone put in charge would feel the same kind of pressure in a situation like that.

Swapped roles and intended plot holes

Originally, Hans was supposed to be a good guy while Elsa was the Villain. The good and evil roles were swapped around after Disney heard "Let it Go". That's why Hans' villain reveal felt so sudden and was unexpected. And that's why Hans' is alongside Elsa, Aan, Kristoff, Sven and Olaf I'm some of the movie posters. That confirms that what we saw of Hans before this villain reveal was indeed genuine. They also wanted Hans falling for Elsa too, which is why they have that chemistry, that dynamic, those scenes that get us, Hesla fans, to ship them. That's why the plot holes such as how Hans brought Elsa to the castle and how and why he gave her the blanket in the dungeon etc exist. And speaking of those specific plot holes [events from Elsa's ice palace to the dungeon], we can almost say for certain that it was Hans who carried her to and on his horse and gave her the blanket in the dungeon. The chains could be Hans or either or the guards, believing that the chains would hold back Elsa's powers. What I say it was Hans is because why would the Weselton guards carry her when they hate her and follow the order to kill her, and why would her one Arendellian guards carry her when they fear her. Hans is probably the only one who doesn't fear her. He's really just shown doing his responsibility as the one in charge.

So really we, who want Hans redeemed, are just trying to make sense of Hans' character rather than accept that he's all of a sudden a villain when before he revealed it, it wasn't really shown, hence the twist of the movie.

Feeling the guilt

Back to the Frozen's real villains, the Duke's punishment was cutting off all trades with Weselton and Hans' punishment was being sent back home. When the guards send both of them in the boat (separately), the Duke tried to resist and get out of it making excuses but Hans didn't. He didn't even say nor do anything to resist being sent back home and leave Arendelle. It's like he was already feeling the heavy guilt and regret. So why is going home a cruel enough punishment for Hans whether or not Arendelle knew Hans' backstory? But more so what is Hans' backstory? Let's find out.

Hans' backstory and intention

Hans is a prince from the Southern Isles, a neighbouring kingdom to Arendelle. His family consists of both his parents, and 13 older brothers. Being the youngest and least important in a large family would be difficult for anyone, royal or not. He is the youngest of 13 brothers. In the book 'A Frozen heart', it's revealed that Hans' father and brothers excluding the third oldest, Lars, treated him harshly and disrespectfully both emotionally and physically because he was the youngest son and last in line throne and hence to their eyes, useless. To add to it, all of his brothers including Lars, are married excluding Hans making him more vulnerable to his father's and brothers despise for him. His mother however, loves Hans' nonetheless just like any mother would love her son. His father had a saying to him that goes something like “The strong should pick on the weak”, which was his excuse of treating Hans like so. Hans wanted to prove to his father and brothers that they are wrong about him, and in fact is capable of ruling a kingdom, of respect, of love. He had to face it; he's never going to get the throne of his own and feel loved, whether his brothers have offspring or not and as much as he tried he just felt neglected, so he decided to squeeze into a throne somewhere else. Lars was the youngest child for a while so he knows somewhat how Hans is feeling. With his help, Hans found out that he could fit into the throne of Arendelle hearing upon Elsa's coronation. While his brothers and father could care less about where or what Hans' was doing, I'm assuming he told his mother that he was going to Arendelle for the coronation as a guest on behalf of his kingdom.

So when he got to Arendelle, after Anna ran off to find Elsa after the incident and the coronation party, she left him in charge and that led the the kingdom and the council to rely on him and that is what made Hans feel important and feel like this is his chance to prove himself worthy of love and respect by giving the same to the people. But being put in charge of the kingdom also came with pressure of holding the responsibility such as making sure the princess and Queen are safe, making sure the people are looked after, etc. Having sent back home, after attempting to kill Elsa, instead of receiving respect and love from his family he originally thought he would do so by gaining or rather stealing the throne and proving his worthiness of love and attention, he instead will be recieving more despise and disappointment from them along with other punishments of their own too like we see in Frozen Fever. And as he faces punishment he would regret more and more giving in to the council's manipulation to attempt to murder Elsa and most of all for letting the people of Arendelle, who looked up to him and relied on him for care and warmth (metaphorically and literally), down. In fact no; the worst of punishments is his mother's disappointment in him. He let his own respect down from the eyes of everyone down.

Hans' role in Elsa's identity crisis

So now we can finally answer the question, 'How and what's Hans' role in Elsa's identity crisis?'. Given all that said about Hans' intention, a way for him to seek forgiveness would be doing the exact opposite of what he was going to do, which would be saving Elsa's life. He won't have this idea come to mind when going ot seek forgiveness but a situation may arise in which he does do so and rectifies his past mistake. Now many have theorised and hoped for Elsa's powers to disappear temporally leading Elsa to go on an identity crisis, given she's had her whole life with them, fearing them loving them and for them to go would cause chaos within her as I've explained above. If Hans returns for redemption, he would also be finding himself while trying to seek that forgiveness. Hans will never be king and he may not feel himself worthy to be king anyways after what he's done. He's the spare of all the spares. So what his purpose in life? All he can do to start the road to redemption is ask for forgiveness to Elsa and Anna by helping them somehow perhaps..? So while Hans has his identity crisis (his own redemption arc), Elsa begins hers too. Elsa is now just a regular girl and she would think everyone hates but Hans would tell her that no, she's more than just her powers as he knows what it feels like not being important anymore and feeling like you've let people down, losing everything of which you claimed as your identity. They'd share a moment of heart felt talks and understandings but perhaps before this moment he saves her from doing something that would kill her and he saves her knowing he might die instead because saving Elsa without a risk to himself would make Elsa not buy it as he has saved her once, before he trusted to kill her, which would rectify his crime in attempted murder of Elsa. Why would Hans want to die? Well as I just explained on what I believe Hans backstory to be of, and given the outcome the situation in Frozen, Hans' would have to accept that he will never be loved by anyone. So upon trying to see forgiveness from Elsa (and Anna), he doesn't think they'll accept it and just sarafices himself for Elsa because he now knows Anna can't live without her. He knows that they have a stronger sibling bond than he had with his brothers. But when they're both safe, they sit somewhere and have a conversation in the situation they're in, like mini conversation in the dungeon in Frozen, but more impactful and meaningful. It would make Elsa begin to see that there really is more to Hans than just his mistakes and he starts to grow on her. She has no reason to believe he's still after the throne or any kind of power because she's not Queen anymore and doesn't even have her powers but is instead just a regular girl (and Anna is taken anyways). Their interaction could go something like this: “I'm nothing. I'm not the Queen anymore, I don't been have my powers. I'm just.. a regular girl”/ “A regular girl who is a Princess who gave up her crown to someone who you thought deserved it more because you didn't want to take away the attention of being the 5th spirit and Queen from someone who loved so much, she save your life twice. That's a true nobility of a Queen.”. Those wondering how Hans would know what went down in Frozen 2, well, given that Arendelle has made peace with the Southern Isles (as written in a newsletter in the new Arendelle theme park in Japan), the King and Queen would be talking about it and Hans would know from them. If Elsa was still Queen there would be doubts that he is still after the throne or if Elsa has her powers, some might say he wouldn't love her without them or he's trying to study Elsa's magic etc. We know her own family, Anna, Kristoff, Sven and Olaf would love her with or without powers and I'm sure the people of Arendelle and Northulra do but we need someone who would cause some doubts to people in order for Elsa to find herself. So that's why it's so perfect for Hans to come into the picture when Elsa loses her powers temporarily.

Learning from the situation

After she regains her powers, the lesson she would have learnt is that she is more than just her powers. And Hans would be the king to his Queen and gain his respect and love without actually being the king and having respect through being a monarch. And I think it fits in well with the story, making that part of the reason why Elsa gave up the throne to Anna; So that Hans would love her for who she is, with or without her powers, with or without the crown. Some might say Elsa is better off alone but I think not because one, love can happen to anyone even if they're an independent person, and two, I personally find it necessary for Elsa's partner to be one who loves her with or without the crown and her powers and as I just explained Hans is a perfect example of that. Just because Elsa seems alone doesn't mean she's not interested in men or isn't attracted to anyone. I believe she was just focusing on self discovery through her powers and family through Anna. Now that she's found herself and is assuming that Anna is well and about to enter a new life with marriage to Kristoff, it would be a great time to get Elsa to unintentionally explore romantic love. But anyways I think this theory, of Elsa having a love interest whose no longer after status, would fit in well because Anna deserves the crown for everything she is and has done for others with or without the crown and Elsa would be loved with or without her powers and the crown and by someone too. It would fit in with their individual arcs perfectly! Elsa and Hans need unconditional love from each other. Hans' biological family don't give him enough of that and Elsa needs it from someone other than family.

If Hans returns, which I believe is possible with all the hints lately, and if the writers feel like taking Elsa's powers away for some time, in the movie, then there you have it - my theory comes true.

Plus further reasons why Elsa and Hans are soulmates are these; Elsa is a North girl, while Hans is south. Elsa is born in winter and given Hans' hair colour and some people associate him with fire, but imma take that as an Autumn guy.

But alas until the run up to Frozen 3, updates of it, and/ or until we get further Frozen content with its 10th anniversary coming up in just 17 days, we can only keep hoping and joining the dots for more of a possibility.

[bowieandqueen11]

Coming Out As Asexual To Jesse Pinkman Would Include...

Request: HC for coming out as asexual to Jesse Pinkman?

I've done this as someone who experiences romantic attraction I really hope that's okay lovely!! Otherwise just let me know and I can make it strictly platonic :)

Also I'm sorry but I always love me some character backstory lmaoo

If you enjoy, please comment as it really helps me keep motivated!!

Warning: mentions of drugs/drug dealing and light swearing!

(I do not own Breaking Bad or its characters, all rights go to creators. Gif credit goes to @dont-care-about-that-bullshit.)

☆.。.:・°☆.。.:・°

Coming out as asexual to Jesse Pinkman had a little bit of a build up from your side. It's not that you believed Jesse wouldn't be anything less than understanding, or that you were afraid about how he would react, but the two of you had just known each other for so long. You were each other's safe spaces: the love of each other's lives, and you were apprehensive about anything changing that.

The two of you had known each other since High School, ever since that fateful day a couple of months before midterms. Your old chemistry teacher Mr. White had grabbed your elbow after the bell rang, and asked if you could stay aside for a couple of minutes. Turns out, as he sat on the edge of his desk and rubbed his tired head, he wanted to know if you would consider tutoring a 'Jesse Pinkman' for a couple of days after school, for some extra credit of course. You were surprised, but quickly accepted. You had seen the kid in the corridors between classes, always pretending to be shoving his obviously unopened books deep into his locker, turning his head slyly over his shoulder to grab a glance of you before he scuttled off again. The same guy you spotted every day after school, sliding his way in between the edge of the parking lot and the bike shed and sliding his back down the wall with a sigh. As he fumbled with his lighter, yanking a cigarette out from the sleeve of his hoodie, be was simultaneously glad to not have to go back home for a while, and also to spot you raising an eyebrow at his antics as you walked past to unlock your bike. He was quick to stub out the butt of his cigarette, wincing as a few sparks burnt as his fingers, before he rubbed them on his trousers and jumped up.

He decided, puffing out the last few wisps between the corner of his mouth, that he was going to be brave and finally muster the courage to ask you out. He had little chance though, for as soon as he came wrangling his hands in front of you, the words blurted out of your mouth. 'Do you want to come round to my house.'

'Yes', Jesse responded without any hesitation. 'Yes. Absolutely.' An awkward tension flitted between the two of you as Jesse began to smile, biting his bottom lip as you flush and shake your head. 'I-I mean, Mr. White asked me to tutor you, and I really-'.

'No, no, it's chill. No explanation needed.' He winked at you, swearing internally to himself as his heart pounded louder than his tongue could speak. 'But seriously, though. Thank you. That's very kind of you.'

Jesse agreed to come round almost immediately, for two reasons. 1) So he could snoop about your house, and nosy through the photos and bookshelves in your room to find out more about what kind of interests and hobbies you had, so he could come into school the next day and bust out the new said hobby set he had bought by scrounging together all the pocket change he had made dealing, just so he could try and impress you.

2) His idea of a perfect day is spent lying sprawled out on your bedroom mat, playing with the loose threads at the corner and nodding along, pretending to listen to what you were saying. Yet any time you raised your nose out of your notebook to see why you couldn't hear any pencil scratching, you'd catch those soft, lowered lashes of his fluttering as he intently observed you from beneath them. He would cough, pretending to be thinking as he darted his eyeline up to the ceiling crown and scratched the back of his ear with the pencil eraser. Bless his heart, it was so easy for you to fluster him: any time you reached over to take his paper and the side of your forearm brushed against his bare skin, he would turn the same colour as his namesake and bury his head into the bracket of his elbows. Or, if you tried to ask him a question relating to chiral molecules, he would try to dodge it by rolling over onto his back, looking all sweet and bashful like a puppy.

'Yeah, but like, more importantly? What's your favourite colour :)'

He snuck out of his house a lot as the two of you grew older, and his parents became less and less tolerant, and more and more truculent voicing their concerns about the company he had begun to keep: the non school endorsed 'extracurriculars' he was roaming the alleyways until near midnight to partake in. It was easy to tell when he was coming; you didn't live too far from Jesse, only a couple of houses down the lane from his. It starts with his lamp flicking on as he tries to sneak back in. Then come the shadows: the belligerent, all-encompassing umbra cast by his parents as they pass through the doorway. Last is the shouting, followed by the slam of a windowpane and the light swears falling out of a tumbling Jesse as he lands in the thorn bush in his front yard.

You already have the curtains pulled aside before Jesse can even come running down the street, guided along as if by an invisible string back to the one and only person he's ever felt safe with. Ever been able to be his true self with, without any fear of judgement or repercussion. With red crested eyes, you dragged his arm up onto your porch roof, happy to just let him sit and cry for a while in well deserved peace. Thankfully the roof peaks just past your bed, allowing you and Jesse a corner to curl up into, with nothing but a few inky splattered stars past the shaky blue spruce treeline to hear his anguished wails: a wounded creature lost to the night. You hesitantly slid an arm around his hip, bunching it under his hoodie until he sighed in relief at the feeling, and in embarrassment used his sleeve to dry away the snot from his top lip.

'You know', his voice was shaky as he pulled his legs back behind him and rested his head heavily on your shoulder, scraping against the tile with his sneakers. He peeked up at you like a wounded bird, kicked and beaten and broken and still with such hope in those wide, beautiful eyes that it almost blinds you against the peeking edge of the lavender twilight. He stopped, frowning, before somehow drawing the courage to shuffle closer to you. 'You're the only thing I have left that I care about.'

At first all you could feel was the jut of his chin as he talked on top of your shoulder, but then all you could feel were his closed lips pressed tentatively onto yours. It was short, not for lack of wanting, but due to the fact that Jesse was absolutely terrified that you would shove him away. And so, before you could even register what was happening, Jesse's forehead was backing away from yours, a tremor rolling through his body as he grew aghast at what he had done. All you did was place the back of your fingers against the side of his cheek, drawing them down slowly and allowing him to calm down, to realise that you cared just as much about him too.

You could see the weight of the world slump off his shoulders: the relief grinding the axe out of his back as you replied: 'I care about you more than you could ever know, Jesse.' Surprising him for the second time that night, his eyes widened in a blissful disbelief as you rushed forward and pressed a close-lipped kiss against his bottom lip, enjoying the way he seemed to collapse into you at the feeling.

The two of you had never gone further than that, mainly because Jesse adores you more than anything, and he both respected and picked up on the fact that you never seemed inclined or wanted to go in a sexual direction. To be completely honest, this man is touch starved to the high heavens, so a solely romantic relationship based on touch as a love language is like, a perfect world to him. All he wants, day after day, is just the ability to wake up and see you. To be with you, to find new joys and new quirks and to see you anew, to experience you as if for the first time over and over and over again.

Like, stroking his hair back and curling up into the back of his chest on his brand new mattress? Tickling the nape of his neck and making him laugh himself awake as the two of you eat cereal in bed in his brand new place? Having him lie against your chest, using those delicate fingers of his to run over the veins in your arms until he has each cell of your skin memorised? Making him shiver when you wrap your arms around his waist and smoosh your face into his bare back when he's standing at the stove, secretly trying to make you eggs for breakfast? How glad he is that you agree to go and grab the orange juice from the fridge, so you don't spot how his eyes roll back in his head and he begins humming happily to himself as he plates up? Bliss! Utter bliss!

So, you take him out one night after he gets back home from 'work', as he likes to call it, telling him you'll treat him to some bowling and hot dogs out in the town. He hadn't been to the entertainment complex since he was a kid: it was the last place he remembers having his birthday, just a couple of years before his parents gave him the boot. Hell, it was the last place he remembers his birthday at all. He had cheated at bowling by secretly putting the bumpers down during his friend's go, and had also beat every single one of them playing the zombie blaster game in the arcade, winning enough tickets to buy an old games console that he then later ended up trading on the streets.

Turns out, his muscle memory kicks in, and although he wins the bowling fair and square this time, he does come up with a bottle green corduroy teddy bear holding a cushioned heart as an apology later, having defeated you at the arcade games as well. You don't mind though, just appreciating the youthful glee in the crinkles underneath his smiling eyes as he slides up at the food counter next to you, yuck-ing when his elbow lands in a sticky patch. It's soon replaced with a sweet hum and faux gnashing teeth at your fingers as you feed him a bite of your hot dog, his hand coming down to drag your free hand onto his lap so he can fiddle with your fingers contently.

Turns out the adrenaline from your night out was enough to just make you blurt it out. You just love him so much. And he loves you more than anything. And so it just tumbles out.

'Jesse, I-I'm asexual. I mean, you probably already guessed, but I just wanted you to hear it from my own lips.'

Suddenly he's lowering the hot dog bun down back onto the table tray, looking at you with a raised eyebrow. You can see the cogs working in the back of his mind as he tries to figure out if he can remember from his high school biology classes what asexual means, but the confusion soon melts from his face when he sees how worriedly you're staring right at him.

He tugs at your hand, and brings it up to rest against his baggy shirt, right on top of where his thudding heart is beating. 'Asexual, huh? Oh yeah? Oh, right on!' He's so awkward bless him, that he kind of raises his fist out of instinct to fist bump you before realising himself.

You explain what the word means to him, and he nods fervently the whole while.

'I just want to be with you, to be with you, you get me? I just want to be close to you, you know? Like... I kind of always knew? I didn't know the word for it, but, like, I love you all the same, okay? You're perfect. I mean it.' He reaches out to brush his knuckles over the side of your chin, but you can tell he's getting restless to hug you by the way he begins fidgeting his legs on the seat, but he's too shy to outright ask you if you're okay with that level of contact still, or if you want him to chill it a bit. So you just pounce on him, wrapping your arms around his shoulders and trying to hide your smile in the crumpled folds of his hood.

He cups your cheeks, grinning like breaking day as he presses hundreds of little kisses over every inch of your face. Any time a waiter comes over to ask you two to stop, he just throws his hand out and shouts over your shoulder loud enough for the whole place to hear: 'yo, that's my S/O bitch! And I love them, man - they're the best thing in my life, so show some respect! They were really brave today!'

I mean, the two of you get kicked out, but the giddy giggles as the two of you run home bumping into each other, hands tightly pressed together the whole while makes it worth it.

He becomes 100% more perceptive and caring after that day, if that's even possible with Jesse. Like, he knows how horrifying and scary and confusing life can be, and he never ever wants you to feel uncomfortable, or beaten down like he is by it. He always asks if he can kiss you, always double checks it's okay before he pulls you down to sit on his lap. He makes sure you're comfortable when he rests his forehead against your own and just spends as much of his life as he possibly can breathing you in: replacing the air in his lungs so they're only full of you, and he can finally feel alive again. He always makes sure you're okay when he rubs his thumb over your knuckles, his arm splayed over your stomach as he rests against your back, his breath warm against the shell of your ear as he tries to make you laugh by recounting the time he was so desperate to impress you in gym class, that he nearly knocked his front teeth out when he started swinging from the climbing ropes.

He still looks over at you with that exact same wonderous look in his eye, every time. And that will never, ever change.

[shotmrmiller]

Hellooo again! I come once more with more Gaz thoughts. Seriously, bro, I am DROWNING in Gaz everything right now. Like.. I need to breathe him, need to intermingle our souls.. And intermingle from behind, from the front, from between- AHEM. Anywho~~

Kyle is a nerd, a geek, a total goof. I cannot for the life of me get that out of my head that he would take every opportunity he could to bring up stuff like Dungeons and Dragons. "You, uh.. You mentioned that a new movie came out? You wouldn't happen to be talkin' about the D&D movie, would you? You are! So I've heard-" And then he'd spill facts and lore and stories and "Oh! I have the newest edition manuals. I've read them and memorized the rules. Would you like to learn? I can be Dundeon Master!" Of course, it's the literal written law to say yes to him no matter what, so you obviously agree.

Well, as it turns out, the geeky little one-on-one that he would have thoroughly enjoyed with you during a solo campaign would be completely ruined by a boisterous Scotsman and a grumpy skull-face. Price would have joined, but he was busy(he really just wanted to take a nap like an over-exhausted single Mother running after said boisterous Scot and too-serious, overly-sarcastic skull-face)

With Kyle's plans utterly foiled,(he had PLANS, damnit!) he went on to begrudgingly teach Johnny and Simon what each die did, what each roll meant, how to write up a character and all the rest of that.(seriously, he really had plans for a solo sesh..)

"No.. Ghost, you cannot roll insight on a newborn Elf just because they might be the next bad guy.. This is the third time you've asked that, man, just leave it!" It was literally only the third session within the campaign, and Ghost was already on the highway to becoming a murder-hobo. It didn't help that Ghost had made a complete edgelord rouge with the backstory conforming to the stereotype. Opening the dictionary of stereotypes, Ghost's character was the single definition of it.

"Soap! Fucks sake, bruv, stop messing with me! Just because you want to hit on the made-up barmaid doesn't mean you physically have to act it out on me.. Soap!" Soap was also the definition of horny bard. Actually, Soap tried taking it up to an entirely higher extreme and physically attempted time and time again to act it all out. "Bu' think o' it, Gaz! It's all made up, why no' act it ou' as well?? It's fookin' genius!" "For the hundredth time, Soap, that's LARPING! Get your bloody hands off me, you git!"

And then there was you. Sweet, innocent little you. You were fairly normal, had done fairly normal actions that were consistent. Just a simple, happy, normal half-Elven fighter with a simple, happy, normal half-Elven fighter backstory. However.. His mistake was gifting you your first set of dice. He had bought the set specifically for you, bought it the moment he saw them, and immediately thought of you, that you would love to have them. He didn't know that that action, that simple little gift, would turn you into a dice Dragon.

"Bloody hell, what 'ave you done???" Session seven came around, and he was standing in your barracks dorm after getting a few complaints about your.. problem. There, spilling over your bunk and onto the floor, over the small little stand beside the bed, was several upon several sets of dice. "Beautiful, isn't it? Behold my treasure, for I am a Dragon! I have ascended to the heavens and have become my ultimate self!" "Bleedin'... Bleedin' hells, love.." He'd created a monster, but he couldn't be bothered to really care when it seemed to make you happy. He never had to worry about misplacing his own set now that you had so much to spare.

(I may or may not be a dice Dragon... It's not a problem, it's HAPPINESS)

I'm gonna be honest.

I have never, in my entire 29 years of unwillingly existing, have I ever seen one game of DND. I have no idea what it's about. When I ask people, they lose me in the details because they get too excited (i just get a wide look in my eye and nod every once in a while, because they're speaking with so much passion i'd never ruin that for them) or they give the sorriest explanations known to man because they don't have the patience to teach.

it doesn't help that i don't know anyone that plays it either.

now. I'd be doing exactly that as Kyle went on an explanation turned soliloquy, because it feels like he's now in a play, and i'm the audience with the way his hands gesture his words.

His eyes are bright, his face is lit up with joy and i have no idea what he's saying but he looks so good in his element.

And then he hands me a die.

It's one of the best things I've ever seen.

I'd look at him and ask him if he'd be willing to buy me more. The way he smiles at me has my cheeks burning.

Now I'm collecting all kinds of dice and hoarding it like Smaug.

He'll step on it, and yelps because it feels like a lego under his foot, but once he realizes it's something he's bought for me, he'll carefully place it back on the little bookshelf.

In anticipation of any more scattered treasure, he now drags his feet on the floor.

"Come along! Help yourself; There's plenty, and to spare!"

[amphiptere-art]

I might do a silly today??

Basically I want a celestial family/team/group. That isn't Tsams.

So why don't I just make one?

This might be a little based off tsams. I might use the Tsams names because they don't own them. But I kind of just want to create my own little team.

Plenty of people have done it before. This isn't the first time somebody's copied the idea of the Sun and Moon show and made a group of celestial beings having fun doing random shenanigans. The only difference is that those random shenanigans are different.

So why don't I make my own? I have plenty of Tsams characters that could be stripped of that context. Like I could have black star. I just take away his villain is back hood with Tsams, and replace it with something similar but different. As long as I get his core personality traits back by the end of it it doesn't matter.

Why do I want to do this? Well essentially why wouldn't I? I haven't watched a show in weeks. Not unless it's a smaller clip or I purposely searched out myself. And it's usually for older videos. The most context I have for the show right now is what people tell me.

Plus hell I was already doing that. Sure the cast was smaller cuz I didn't have an idea of a large cast like the Sun and Moon show or the celestial idiots. But now I do and I can do it all over again. It wouldn't be the first time to make a group of idiots doing random shit.

What the hell do you think the original arcade version of Blue Moon was? Arcade Blue Moon and everyone who was in arcade storyline was essentially a group of celestial people, living in a semi-normalized robot human world, bumbling around trying to figure out how life is. Arcade red blue black was essentially one of these groups. I just changed it to be Tsams because of my stupid mental rule that if you borrow just a little bit you have to borrow it all or go way south.

I don't have that mentality anymore. I've made so many AUs I understand I don't have to subject myself to making something so holy unique It doesn't feel like any sort of rip off. I know now that there's millions of shows around the Sun and Moon doing random shit. It isn't some unique card that the Sun and Moon show has. I can use it without feeling like I'm stealing.

So yes. I might make a group of my own. I'm not a fan of the Sun and Moon show. I'm a fan of what has come out of it. The fan of the AU's. I'm a fan of The creative characters I made. I'm a fan of everything else but it. Would it really be a surprise If I just made my own group of characters that felt like my own group of characters.

Like I said I might take some characters and transform them to be less Tsams and more my own. Blackstar is already on that list. Blue Moon was literally the personification of me removing him off of that list. I like DH Earth. She's probably going on there. Some version of my sun and moon is probably going to be put on there. I'm going full in on this idea.

I have characters that are my own and I basically just took a backstory. I can make my own backstory and still have those characters. There is nothing wrong with doing that. As long as they are distinct enough from the Sun and Moon still it's fine.

We'll call this... Arcade! As Arcade was essentially this before I stripped it of its unique place.

This is the Arcade project.